Alexandre arrechea biography death

Alexandre Arrechea born is a Cuban visual artist. For twelve years he was a member of the art collective Los Carpinteros , until he left the group in July to continue his career as a solo artist. The work arises out of human actions and reactions in the face of contemporary versions of the worldview already described by Jeremy Bentham in the 18th century.

The eye of power watches everything and everyone, and everyone watches everyone else and themselves.

Arrechea in his investigations around the relations between power, surveillance, and the collective dimension of society.

The interdisciplinary quality of Arrechea's work reveals a profound interest in the exploration of both public and domestic spaces. Arrechea has been represented by the Casado Santapau Gallery in Madrid since Arrechea was born in Trinidad, Cuba in He lives between Madrid and Miami, [ citation needed ] with his wife, Cuban art historian Marlene Barrios de Arrechea and their two children.

The three artists began working behind their collective moniker back in , and they became rapidly successful. The New York Museum of Modern Art acquired several of their drawings for the museum's permanent collection. Arrechea decided to leave Los Carpinteros in July , to begin a solo career. His first individual project was El Jardin de la Desconfianza The Garden of Mistrust , an epic installation in Los Angeles that required two years of work The central piece of the work was a whitewashed aluminum tree whose branches were outfitted with video cameras which recorded spectators and broadcast them on the Internet.

Alexandre Arrechea (born ) is a Cuban visual artist.

His public art often involves concepts of power and its network of hierarchies, surveillance, control, prohibitions and subjection. The spectator's participation in the work adds to its contemplation. More recently he has worked on a public art project in New York City, involving video projections on buildings.